Tommy Opened and Closed the Knife;

he could do it with one hand

Suzi held the fireworks like a bouquet

and asked "When do you want to do these?"

He said, "At night. Outside. Later."

She said "Yeah. Sure." and sounded pretty sarcastic about it.

I was very drunk, too,

and crawled to the low table.

I touched Martha's calf with my fingers.

Something was sticky and dirty there

and she brushed my hand away in annoyance.

"I want some more of this good stuff," she said

and held out her glass.

The carpet fibers against my face

were stiff and hot, seemed to catch weird fire

when they reached my tongue.

The television showed some people fucking

but it was part of a story.

"What's this movie?" I asked when Martha

reached down to give me a pipe.

She exhaled gray smoke and said "It's a comedy"

and that sounded just about right.

Martha disappeared then

into the bathroom and I heard the water.

She called out "You made me all nasty"

and I went in as she took off her dress.

I could hear Suzi's groaning laughter and

I cleaned my hands by peeling off

long yellowish strips.

I said "What is this? These things look rotten"

Martha did not answer me

but I saw that as she washed her legs

flesh fell away and dissolved

in the brown water.

I wanted to smoke

but my fingers, my lips, were soft

clinging to the matches, the cigarette, each other.

Martha's hair had fallen heavy across her face.

She stared at the her wet white bones dangling into the tub

and, when she started to tremble,

I knew her mouth was open,

that she was crying.

Werewolves Everywhere You Look

Number One

Don's head felt like it was in a thing like a box or in a thing like maybe a real big fist and it was closing and Mark over there in the kitchen was not helping anything feel any different. Mötley Crüe was pounding out of the speakers of the boom box Don's sister had loaned them, the boom box she'd put on the windowsill and nobody had moved since. Maximum volume created maximum distortion and the music was set to both. It didn't matter that much to the boys, either of them; they'd memorized the whole album years before.

Mark was cutting oranges into quarters with a big commando-type knife. When he'd gotten about one thousand chunks of orange piled up on the counter, he jammed the knife into the formica surface. He starting scooping up orange quarters and dumping them into the refrigerator. Although the music prevented Don from actually hearing anything else, he did see Mark's lips move and Don knew that Mark had just said "Awl riot" in the way that was his, Mark's, trademark. It meant the same thing as "victory" or "how unusual" or "I can't think of anything else to say." It was like Don's own bandanna, like the one he had tied around his neck in ninth grade and it just became something he kept on doing; it become the thing he always did. People said, “Don. You know, the guy who has that bandanna around his neck all the time.” Everybody did things like that, like Mark always said "awl riot" and Don wore a bandanna around his neck and this girl or that girl wore a lot of gold-toned rings on every finger or another wore red eye shadow all the time or some such thing. Everybody did something that they did all the time.

The boys' apartment was a good apartment because almost everybody who lived in the complex worked day jobs of some kind or else had a bunch of kids that would keep them all pretty busy and out of the way. Nobody was out much during the weekdays and Don and Mark could do pretty much whatever they wanted. Don might bring over one of the guys from his baking industries classes or Mark might cruise one of the high school parking lots. Just like that, just about every day there was a party.

Don's headache was getting much better. It seemed to have a little life all its own, that headache. It came and went like an old friend though lately it was making more and more of its own decisions without asking Don and it, the headache, seemed to be getting desperate as if it were running out of time, running out of choices. Don was the guy who hated pain. He had never and probably would never get used to it. He was the kid who was scared of spankings because they hurt. He was the one who wouldn't fight, who would eat shit on the playground rather than risk getting hurt. Don used to lie awake in his little bed in his Mom's apartment trying to sleep and just keep seeing himself falling off his bike into gravel, getting "swats" from his PE teacher, burning up in some horrible car wreck.

Don tried to stop thinking about his headache specifically and about pain in general. He drank some more beer and looked at their clock with its electrical cord trailing down to the outlet. Don wondered if they sold aspirin at liquor stores. While he was doing that, the tape in the machine ended or stopped or something and in the shock of sudden silence, both boys realized that someone was knocking really loudly on the door.

"Whoa," said Mark.

Don opened the door and it was this friend of one of Mark's girlfriends; her name was Julie. She was sixteen and she liked to come over to the apartment when she was supposed to be in study hall and she'd wait around hoping someone would get her high or show her some deep attention and then she'd go back to school for social studies or hygiene class or something. This girl always wore a black, TV-type detective fedora kind of hat. It was her trademark.

"Hey, Don," she said.

"Hey, Julie," Don said.

She sat down on the living room floor and lit a Marlboro Light. It was the kind of cigarette she bought from a machine rather than risk get carded by convenience store clerks. Don went back into the kitchen near Mark.

"Did you guys ever have Mrs. Lamont ever?" Julie asked them. "For English?"

Neither Mark nor Don said anything. Don was looking through some empty cassette boxes, not thinking about his headache, and wondering where all the tapes were.

"Well?" Julie asked and she whipped her head around to look right at them and her black TV hat almost fell off. "I mean, did you?"

Don moved as quickly as he could to the front door and opened it back up. Sunlight came in sheets through it.

"Hey, Julie," Don sort of said. "I mean, see you later, okay?"

Julie just sat there a second and then she stood up really fast and just left.

"That was harsh," said Mark.

"Nah," Don said back. "Not really."

Number Two

It was extremely near closing time and, okay, I will admit that I was very drunk. I had run out of cash early in the evening and had been running a tab on my credit card. I was drinking shots of vodka and glasses of draft beer. I figured out a long time ago that those are the kinds of drinks you drink when you don't want to commune with other people. If you drink something with pineapple or grenadine or other vivid colors, you're asking for someone to talk to you. Even ice can be dangerous because it makes that attractive clinking sound on the way to your mouth. A shot and a beer meant something else altogether, something kind of morose and silent.

At least, that what I always thought until this guy at my left told the bartender to “give me another round and put it on that pussy's tab" and jerked his big thumb to his right which was directly at me. The bartender looked at me and I was pretty surprised and didn't really know what to say and then the drinks came up. Everybody within earshot was looking at me. I still didn't know what to do but I knew I didn't like what was being done. I didn't know what to do so I nodded and listened to the acid laughter drip out of the Thumb and his buddies drinking on my tab and basically the rest of the entire bar was laughing, too. They all seemed to have figured out that they had it made no matter what I was drinking. My choices had become extremely limited.

I finished my vodka, decided to leave the rest of my draft on the coaster, and slid off my stool in a humble, I'm-off-to-take-a-leak-Sir-but-I'll-be-right-back kind of way as if I was really worried about keeping on his good side, what he was going to do to me next, what he was really thinking about me. When I got near the exit door at the back of the room, I stopped and looked back toward the bar. I waited like that until the Thumb had the time to look over and wonder where I had gone off to and when I was getting back. He was still thinking about me, thinking about me paying for more drinks, and maybe even missing me. The bar was crowded enough, I figured, to keep him from just charging into me swinging his big fists and, I figured, he'd want to tell a few people what he was going to do to a drink-buying pussy like me. I figured that once he saw me, I'd have about half a minute to get ready. I kept staring at him until he looked over his shoulder, I locked my eyes onto his, I pointed my finger straight at him, I made a hooking kind of gesture, and I made my mouth make "You" real obvious. And then I crashed backward through the exit door out into the parking lot.

I was shaking and scared as hell, hyper-conscious of how bad all my calculations probably were, and how even my few seconds where fading away fast. I was just about ready to give it up and run when I found what I was looking for, a big flat piece of landscaping rock. I got to that rock, grabbed it, and the door swung open. The Thumb was alone. I took my swing and the rock split his nose cleanly down the middle, squashed it up under his right cheek. He just stood there and watched the blood ruin his nice shirt.

""Okay? Fair?" I tried to whisper. "Want to quit now?"

His eyes cleared up and he said, "Now, I'm going to kill you, now."

The rock bounced against his left ear. It sounded soft and wet when it hit but he didn't react the way I hoped. He made a noise like "woof" and then he made another noise that sounded like "fucker."

I started to really panic. I tried to think about what I should do next. I threw the rock straight at his mouth and ran. I figured that if I could get to my car and start it and drive, I could run back and forth over the Thumb until his pieces were too small to do me harm. He didn't follow me, though. I got my car door open and I twisted my key into my ignition and, as I drove out and away, I could see he was still standing there bleeding under the light of the “no entrance/exit only” sign.

Number Three

Even though he was pacing everywhere through the house, even though he acted like he was bored to distraction, Jackie really wasn't. He was just Jackie, Jackie here and there throughout the house.

Once in a while, he would stop at the door of the kids' room and call in.

"Are you kids okay? Do you need something?"

"Your mom will be home real soon. Okay? Kids?"

Stuff like that.

When he was out in the kitchen, he finished washing the dishes, scoured out the sink, scrubbed the cutlery a second and then a third time, scoured out the sink again, and started on his shirt and pants. He yelled toward the kids' room a lot.

"Cleaning up in here!"

"Getting things spic and span in the kitchen!"

Things like that to keep them posted on how things were going with him getting ready for their mother to come home.

The stains on his clothes were difficult and he couldn't even start to think about the stains on theirs or the other messes around the house he was going to have to start cleaning. His clothes took a lot of rubbing and scrubbing and some "god-shit-fuck-goddammits" before they came away clean (or cleaner than they’d been before he started trying to clean them). In between all those times he was scrubbing at his clothes, he was still pacing around the house only he was naked and looking out the windows and discovering that he was wandering away from the sink and his dirty dirty clothes again and that he was smoking a cigarette in the hallway near the bedrooms and the doors to theirs, the children's rooms.

But Jackie got everything all washed out and rinsed and hung up on the shower curtain rod in the bathroom. When he saw his reflection in the bathroom mirror, he saw that he had no shirt on which made him look down and remember that he had no pants on either.

While he was in a closet getting fresh clothes, he heard the crunching noise from the gravel in the driveway. Jackie went lurching out into the hallway tangled up in his new, fresh, clean clothes; he was all tangled up in those arms and legs in an eagerly comical kind of way.

"Kids!" he called. "Hey, kids! Your mom's home."

Sharper Than She Ever Imagined

It hardly seemed worth it but still she tried to avoid the worst and deepest of the puddles. Drenched for the most part even swaddled against the weather—-raincoat, hat, and leaky rubber boots—Sheila went through the pointless motions of trying to stay dry even as ice water ran down the back of her neck. She was a beige and gray woman toiling through a black and gray cityscape, damp and defeated. Just finding her way home was an ordeal and once arrived, no comfort awaited.

Was it surprising that Sheila found no joy in her life? If she were to do away with herself, would those who might find her body be puzzled that she had killed herself? After the landlord forced the door to find her there forgotten save for the stink of her, would they ask themselves why, oh why with so much to live for, why in heaven’s name did this woman take her own life? Sheila thought not.

Looking at herself in the bathroom mirror, the only mirror in her house, Sheila pondered not the “why?” of her impending suicide but, instead, she meditated on the “going through with it and doing it right.” She had, after all, been disappointed by so much during her 25 years that she quite rightly feared that her own demise would prove a bungle or a let-down or just another waste of time.

There was loneliness. There were longings unsatisfied, goals unattained, dreams and wishes unrealized. Sheila mined her memory for a reason not to die in the same way she looked at the ceramic knickknack, a shepherdess with crook and lamb, adorning an otherwise barren shelf and she struck nothing in either to stop her self-destruction. No single part existed by which she could justify the whole.

Sheila endured a childhood unremarkable for it’s very lack of remark, no awards or ribbons or certificates of achievement, friendless and awkwardly so, tolerated by parents barely tolerable themselves until her after-graduation flight to a different kind of solitude as if that would be a cure. There were some terms at a university where Sheila floundered in confusing classes with even more confusing classmates before she skulked away with her lackluster Cs and Ds and no one even noticed that she’d left.

She felt like putty. She learned that she was soft and without angles, malleable had anyone ever cared to mold her though not even her professors had indicated that possibility. She was beige and gray and invisible. Sheila made herself available, no one responded, and she didn’t know what else to do. She sat her life lumpenly.

There was a job then and more pointless hours earning pointless money that only ensured she could pay her pointless bills so she could work some more and acquire more bills. Sheila met no one though she tried, could connect with no coworker or neighbor despite her tentative overtures, and she could make no friends. She cashed her checks and shopped for her groceries and moved about the world as if sealed inside a jar.

The blossoming she awaited never occurred and her appearance was, to be generous, drab and her personality, to be truthful, was unfinished. She was putty and, had she been truly visible, Sheila knew she would be recognized as such and then ignored all over again. It was all a losing proposition.

Sheila said “hello” and and she said “goodbye” to the few people she encountered in the courses of her beige, gray, softly sodden days and counted those as her relationships.

“Goodnight, Rodger,” she said to her manager when she left the shop each workday.

“Take it easy, Sheel,” he answered and she always tried to do that and she never quite could.

“Hello,” she told the bank teller. “I’d like to cash this check.”

“Have a nice day, Ms. Cord,” the teller always admonished her. Sheila knew that she wouldn’t have a nice day, that she couldn’t have a nice day, that she couldn’t even manage to take it easy.

*

Dark days followed darker nights. In winter mud, wet and cloying cold, she slouched her way to and from the place of her pointless employment and past the shops where she made her purchases. Along the way back to her rooms, Sheila would stop in those shops and purchase the tins and boxes from which she ate. Her days off were even worse than her days at work for she truly had nowhere to go with only the television to remind her that other people existed. She’d sit and eat, silent and unmoved and growing larger and softer as the programs unreeled before her. Sheila never laughed and she never cried and she eventually would turn off the machine and sit in silence or sleep until it was time for work again.

The futility of this repetition was beginning to become apparent. She could find no compelling reason to keep doing any of it and, one beige, gray afternoon on her way to her rooms from where she worked, Sheila added to her purchases one small paper package of razor blades called “safety” though why she could not understand why. They seemed seductively dangerous to her.
And so, balanced on the edge of her not very clean tub in her very not clean bathroom, it was with true and real surprise that she saw the paper packet of razor blades she opened with the desire to open her arteries continue to open and open more and more and further and further beyond the possibilities of its apparent size and shape, beyond the limits of its own dimensions and begin unfolding and unsheathing and opening again and again and then again in ways both strange to witness and unimaginable until before her stood a being, a form composed of knives, needles, razor blades, jagged shards, and smooth scalpels, opening more and spreading to become a kind of metallic person, a jumble of sharp angles and cutting edges, a face like a flower of cutting steel and glass and flint, like a fan of knives.

It then spoke to her with a voice composed of tuned metals, a voice that sounded like ripping rippled foil, like iron nails dragged across a shattered mirror, like shattering obsidian, like a bundle of needles disturbed to friction.

“Sheila, dear,” his voice insinuated the room. And the creature there trembled with light gathered and magnified and reflected, a blinding aura of potential, and the potential of a blade in repose. “So sad.”

“Yes,” she replied. “Oh, yes. So sad.”

He shimmered as he moved and the shivering sounds of sharp edges run across each other accompanied the sight. He was disorienting and beautiful and very, very frightening. Sheila wanted to cry but was afraid to do so.

“Afraid?” he asked her.

“Yes.”

“Sad and afraid,” he pondered. “This is no way to live.”

“I know,” Sheila answered. “It isn’t. I don’t want to. I don’t know how.”

“You wish for something,” he continued. “You wish for more.”

“Yes,” she affirmed. “More. Much much more.”

“And here you sit with me.”

“Yes.”

“Then we shall sit together for awhile,” with his voice brittle and sharp and comforting in a clean sort of way.

‘How strange,’ she thought that there at the pinnacle of her isolation and upon the cusp of her demise, she would finally find a friend, a confidant, a person (or a sort of a person) who seemed to care for her. ‘How strange. How beautiful. How perfect.’

“How strange. How beautiful. How perfect,” he told her.

His gentlest touch, his lightest contact, and Sheila bled. The sounds of their caresses were the sounds made when skin parts whisper-soft under surgeons’ knives. Still, her longing grew within the glow of candlelight and flavored wine, the flickering reflections that her razor-man shed, and she grew both bold and slightly anesthetized. She flirted with her razor-man.


Sheila reached to touch his face and she did touch his face and then she put her bleeding forefinger into her mouth to taste the blood he had brought forth from inside her.

“Does this hurt you?” he asked as his lingering touch drew a line of deep iron red from her skin, a crimson line of contour from below her ear traveling down her neck and across the tops of her breasts. The line gaped, a fault line filled with blood.

“No,” she answered him. “Never. It will never hurt me to be touched.”

And she kept telling him “no” even when the real answer was emphatically “yes” until she could no longer speak at all but could only open more and more under his embrace, until his kisses skinned her face and her eyes rolled white, her teeth gleamed white all the way back to her molars against the shocking red shine of her naked muscles and bone. Sheila’s meat quivered in the open air.

“You are becoming beautiful,” he told her as he stripped away the lie of her and revealed the true of her. Free of flesh and yellow fat, her mouth fell open like a flower all long tooth, white bone, and sheets of red muscle along her jaw. “So beautiful.”

The cold, wet air on her now-exposed nerves sent Sheila’s senses reeling, the sheer weight of pain overwhelming her capacity for rational thought. She became her own reactions and there, teetering along borders she had only dimly imagined, Sheila lost her sanity in a blinding rush of agony and new-found love.

Her razor-lover gently turned back the layers surrounding her throat, peeled open her skin and fascia and muscle down to the very cartilage and he opened that, too; the rush of cool air through Sheila’s new orifice slobbered her devotion and its concomitant ecstasy.

Beige and gray no longer, Sheila blossomed crimson, scarlet, deep burgundy red under his attentions and each caress exposed something new and secret and long hidden away from view.

It was all revelation.

Each uncovering brought new jolting wonder, agony, and awareness. Unobscured by eyebrow or eyelid, her vision sharpened; she saw cleanly and she saw clearly, and she watched with naked eyeballs as what had once been inside her spilled outside and spread uncoiling across the floor in a multicolored slick of organ meat and membrane.

“Beautiful,” she marveled at her own concealed colors, awed and humbled that she’d carried them so long and unaware. Sheila thrilled as the blades that were his hands and fingers cupped her breasts and whispered them to ribbons, hanging shreds of golden fat and meat. The white-hot stab of billowing pain carried her nearly outside herself as her flesh shredded with his caress, hot floods of her brilliantly oxygenated blood laving them both.

Sheila reached to stroke his cheeks, to return his loving touch, and watched the skin and meat of her fingertips fall away in translucent slices against the angled edges of his features and each slice brought the nerves in her hands closer to her surface, each nerve singing electric fire into her overloaded brain.

She couldn’t tell if the wetness between her legs was purely sex or just what was left of her sex, her genitals in tatters, fragments, and still pumping pure, white-hot sensation to the glowing nucleus of her cerebral cortex. The feeble orgasms that used to reward her clumsy, lonely masturbation were burned to cinders by the heat of what was exploding inside her newly skinned skull. All other joy and sorrow, all other emotion and feeling withered away under the awful raw burning that swept Sheila toward willing destruction. Helpless in her razor-lover’s embrace, she arched and arced and convulsed herself enough to fling her colors against the wall, great swathes of red and yellow and lines of blue across the rotten plaster and shining brighter than any paint or pigment.

And as what Sheila was becoming rose above her flayed self and as what Sheila had once been fell heaped beneath, she found herself, for the moment, alone and bleeding in her bathroom. Her razor-man fled in sudden collapse upon himself and back down to the small and dangerous blade held in her hand, and Sheila could take a breath to contemplate her new and profound state of nudity, her slavery to pure sensation. This she did and she saw that she was a red woman, a blindingly white woman, and fully opened in a room awash with color until she was quite nothing at all.

Garnish Trouble

Uh oh,” I said to myself when I saw the slices of lemon she’d twisted into möbius strips and then placed precisely at eleven and one o'clock on my plate. “This is new.”

I didn't really mention that I’d noticed, though, because I wanted to see how things developed, to watch what direction this issue of pleasing the eye as well as the palette might take, to see if there was an advantage for me hidden there somewhere.

Over the weeks that passed, I found myself eating the shells of ripe tomatoes she’s layered like the petals of roses and filled with deviled chicken; I ate toast cut to resemble the symbols found on playing cards and she put fresh raspberry jam on the hearts and the diamonds and she put black currant preserves on the spades and the clubs.

I would nod in a noncommittal manner at each of these presentations but I would also make low noises that could be taken for warm appreciation. Sometimes I would raise my eyebrows in way that could be interpreted as delighted amusement.

I ate palm trees made from carrot sticks and jalapeño peppers; I ate an entire canned ham sculpted into an entire school of goldfish with kalamata olive bubbles; I also ate the arabesqued watermelon rind that doubled as my salad bowl. I began to make more noises at meal times, noises more obviously associated with approval. I began to say things like “Would you look at that?”

With the swinging door held open, my palm flat against it, I saw her knives spread along the kitchen counter, her back to me as she obliviously bent herself to transform a rib roast into some marvelous, colorful creature.

And parsley. There was parsley everywhere.