First of all, I've never liked the notion of people making out in public. Beyond the tasteful peck, I never felt comfortable doing it and I don't really feel comfortable when other people are doing it, especially when one of them is this girl I used to practically live with. It makes me wonder what else is going on in private, especially when she bends this guy who's not me's head way far back, her hand all along the side of his face, and she opens her eyes to search through the generalized movement in this bar to find my eyes upon her and she smiles while she's kissing him and it's all so very much on purpose, the way her pupils are pushed to their limits to keep me in sight and the glimpse of tooth I catch when she bites his lip and now I feel sorry for this guy which is something I really feel uncomfortable doing since he's leaning against a woman for whom I once had (okay, I admit, still have) strong feelings and I never liked him in the first place, even before he started doing things like leaning into Valerie so she could gnaw on his face and smirk at her ever-so-ex-boyfriend over his shoulder without him having any kind of clue whatsoever what she was doing or that even though I feel sorry for him, I still wouldn't mind being him.
These are complicated feelings I realize, but I also know I wouldn’t hate her so much if I didn’t still love her so terribly much. Or just so terribly. That’s why this stupid bar napkin is so full of such stupid scribblings. I guess that’s what I do best.
His hand is on her hip but thinking about drifting down to her ass. I remember when my hand used to do the same kind of thing but now all it, my hand, can do is remember and write about remembering. I can’t imagine she’s happy, that Valerie is enjoying this but I can imagine the pain she knows I feel makes the pain I know she feels seem reasonable, seem manageable, seem like it might be bearable in the long run. His hand is migrating and I wonder if it, his hand, is having a feeling. I can see the way she is slowly moving back and forth, the soft echo of movement in the past and movement in the future. It describes a kind of motion that expresses a kind of feeling that I haven’t been able to have in a long, long time.
I need another napkin.
The waitress has distracted me and Valerie has distracted her man enough to be able to scoop some of his money off the bar and even if he noticed, which I don’t think he did, I don’t think he’d care. After all, it’s only paper and, unless things have changed a lot which I don’t think they have, she’s not wearing any kind of underwear. I think I ordered another drink but I won’t be sure until it gets here. I’ve got my own money.
It is a drink but it’s not the drink I asked for. Should I care? Or should I pay? Is it really a question? Look out; here comes my money!
I can’t quite believe that Valerie sent this drink to me. Will this kind of strangeness never, ever stop? Why is she wiggling her fingers at me like that? Why am I waving back? Why am I putting this glass to my lips and wondering if it is poison? I already know it is poison. And it tastes very, very good.